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Posts Tagged ‘Minimal Music’

Live Recording 01/08/22
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Music taken from UbuWeb. The website says the following about this recording: Recorded live at 10 p.m. November 17, 1967 and originally released as an open reel tape as part of SMS No. 3: June 1968 published by The Letter Edged in Black Press. Visual – 5 films. Each film has the same sequence of 76 video’s. Length of each video in a film is different but each length (for instance 64 seconds) only appears once in each film (it’s complicated). Chance determined if the piece was in colour or BW. Chance determined he length of the fades.

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Aart Strootman – guitar Extrapool, Nijmegen (The Netherlands) March 6, 2016 Electric Counterpoint can be played with a guitarist playing against a prerecorded tape, or with a guitar ensemble. In this Extended Version, Dutch guitarplayer Aart Strootman plays all 15 guitar parts, starting with one, he then plays against his previously played part. This again is recorded and he plays yet again against the already played notes. In this way, he gradually builds up his own ensemble. Electric Counterpoint has 3 movements. The recording i used had 45 different, split parts (3 x 15). The transition between those parts is not always smooth. Slight drop outs or hiccups do occur.

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Die Tanzcompagnie Sasha Waltz & Guests beginnt das Jahr 2021 mit einer neuen Arbeit zu der Musik von Terry Riley »In C« (1964), einer offenen Komposition, die als erstes Werk der Minimal Music gilt. Basierend auf diesem Meilenstein der Musikgeschichte entwickelt Sasha Waltz gemeinsam mit ihren Tänzer*innen choreographisches Material, das einer ähnlich variablen Struktur folgt und nicht als fertiges Bühnenstück angelegt ist. 2001 veröffentlichte das legendäre New Yorker Musikerkollektiv »Bang on a Can« eine Aufzeichnung ihrer Interpretation von Terry Rileys »In C«. Dafür nutzten sie eine außergewöhnliche Kombination von verstärkten Instrumenten aus der ganzen Welt.

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Viennale-Trailer 1997: Psycho (by Martin Arnold)

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Performed by members of the Ballet de l’Opéra de Paris accompanied by Ensemble Ictus and Synergy Vocals as conducted by Georges-Elie Octors. Recorded October 2014 at the Opéra national de Paris.

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