On what he deemed the 30th anniversary of hip hop, in 2004, Village Voice critic Greg Tate wrote that the music’s “ubiquity has created a common ground and a common vernacular for Black folk from 18 to 50 worldwide.” Its global reach, however, has made it a rich site for “corporate exploitation.” The complicated relationship of hip hop and capitalism is something of a “bitter trick.” The music “represents Black culture and Black creative license in unique ways to the global marketplace, no matter how commodified it becomes.” – openculture
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